New publication from Trent Editions:
Gregory Woods
The Myth of the Last Taboo: Queer Subcultural Studies
Seismic
changes took place in Western societies’ attitudes to homosexuality
around the turn of the 20th
and 21st
centuries. At first, gay communities suffered from rabidly hostile
responses to the AIDS epidemic. Those terrible years were followed by
piecemeal legal reform and a gradual thaw in the way gayness was
represented in popular culture. From the ‘wages of sin’ to
the commercialisation of desire, from pretend families to equal
marriage, gay people were eventually sucked into the mainstream of
contemporary life. But how irreversible are those changes, how secure
the future they promise?
Best known for his
literary criticism, Gregory Woods now turns his attention to
journalism, film, TV, shopping, popular fiction, cartoons, the
memoirs of the Beirut hostages, desert island stories, travel
brochures, Italian camp, and anything else that takes his fancy. By
paying close attention to the detail, he manages to convey the
broader picture of a major turning-point in Western attitudes to
sexuality. These essays amply demonstrate how gay and lesbian
studies, far from addressing only narrow concerns, open up fresh
perspectives on some of the more intractable issues of our times.
CONTENTS
Those marked (*) are
published here for the first time.
1. Mourning becomes a lecture [Grieving
as media stereotype and a queer cultural festival.] (*)
2. We’re here, we’re queer, and
we’re not going catalogue-shopping [Shopping catalogues and the
commercialisation of sexual identity.]
3. Are we not men? [Desert island
narratives in fiction and film.]
4. Holidays of a lifestyle [Gay and
lesbian holiday brochures.]
5.
The end of Arcadia [The beginnings of the AIDS epidemic in the French
gay press.]
6.
Something for everyone [Lesbian and gay magazine programmes on UK
television in the 1980s and 1990s.]
7.
An epidemic atmosphere [The AIDS epidemic as atmospheric effect in US
crime fiction, 1981-2001.]
8.
It’s my nature [Moral re-branding and the de-sexing of gay men in
1990s AIDS films.]
9. Is he musical? [How movies use music
to connote a standardised version of the gay man.]
10. In search of Italian camp
11. The Orient in a cell [Male love and
homosexual panic in the Beirut hostage memoirs.] (*)
12.
The myth of the last taboo [The journalistic cliché
as an indicator of liberal optimism and conservative regrouping.] (*)
Available from the Trent Editions online store: http://onlinestore.ntu.ac.uk/browse/product.asp?compid=1&modid=1&catid=15
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