When
Robin Maugham was a teenager, his uncle’s lover, Gerald Haxton, invited
him to Venice—Robin was not far away, in Vienna, at the time—with the
intention of sleeping with
him. It turned out that the uncle was in on the plot. Reflecting on
the incident years later, in his memoirs, Robin Maugham wrote: ‘To this
day I do not know whether Willie [Somerset Maugham] had planned that
Gerald should seduce me—perhaps because he loathed
my father... Or perhaps it amused him to think of his own lover having
his own nephew. Or perhaps he hoped that once I had been seduced by
Gerald I would be ready to accept his own proposals of love. In either
case I felt shocked and disgusted’. On another
occasion, over dinner, uncle Willie gave Robin the following advice:
‘You are quite an attractive boy. Der-don’t waste your assets. Your
charm won’t ler-last for long’. One thing was certain in the younger
man’s mind: he was not going to waste his assets
on the likes of his uncle or his uncle’s lover. Another piece of
avuncular guidance gives a sense of why the older Maugham became rather
distant, not only from his own nephew, but from younger generations’
ways of approaching the things that matter. Willie
said to Robin: ‘Money ... is a sixth sense, without which you can't
make the most of the other five’. Not that younger people, the nephew
included, did not regard money as offering short-cuts to many pleasures;
but the equivalence of money and the senses
was felt, pretty much, in earnest by Willie. He knew he could buy
people. He could send out for them from the fastness of the Villa
Mauresque. The relationship with Haxton was central to this economics
of flesh. As Robin Maugham expressed it, ‘Gerald was
Willie’s pander; Willie was rich enough to keep him’. Not only did
this eventually leave Somerset Maugham in a poor position to comment on
human relationships; it also prompted him to think that he could falsify
his own, and to believe he would be believed.
According to the nephew, late in life, after Gerald Haxton’s death,
‘Willie had somehow managed to persuade himself that he had never been
queer’.
After Cambridge, Robin Maugham was trained in tank warfare at Bovington
Camp in Wiltshire. By his later account, ‘A homosexual atmosphere
seemed to hang as heavily
over Bovington as the low rain-clouds in the sky’. He met the man, or
one of the men, who used to beat and bugger Lawrence of Arabia when he
was living at Cloud’s Hill, nearby. Like Lawrence, Maugham was in a
position to mix military life with with socialising
in a completely different social stratum: a weekend at Checkers with
the Churchills, for instance, enlivened by the arrival of Noël Coward
for Sunday lunch. Maugham, who had recently been invalided back to
England from the Middle East with head injuries,
passed out and had to be driven back to London by Coward. After the
war, Maugham worked in intelligence, using journalism as his cover. His
friend and mentor Harold Nicolson—‘who had become a kind of godfather
to me in my struggle to become a writer’—introduced
him to Guy Burgess. Burgess was four years older than Maugham, and had
preceded him at both Eton and Cambridge. Maugham could see that
Burgess was unstable and unpredictable already; his heavy drinking
contributed to an exhibitionistic tendency which could
only mean trouble. As just one example, Maugham recalled that ‘At a
large dinner party in Tangier he startled all present by giving the
names of the head of each department of the British Secret Service’.
Burgess used to like quoting E.M. Forster’s remark about hoping, given
the choice, he would have the courage to betray his country rather than
his friend. Nobody
who knew Burgess, however, could be entirely sure that he would not
betray either for the sake of some short-term gain. Wondering—as so
many wondered—why the intelligence services kept on Burges and Maclean
when, not only in retrospect but at the time, they
were such obviously unreliable characters—Robin Maugham came to the
same conclusion as others: ‘Because in those days our intelligence
service was run by an “Old Boy” network and backed up by an
Establishment of crypto-queer ambassadors’. On the day of his
defection, Burgess rang W.H. Auden on Ischia to ask if he could go and
stay. Auden later said to Maugham, who had been introduced to him by
Michael Davidson: ‘I know exactly why Guy Burgess went to Moscow. It
wasn't enough to be a queer and a drunk. He
had to revolt still more to break away from it all. That’s just what
I’ve done by becoming an American citizen’.
Maugham had met Michael Davidson in Tangier in 1947. Davidson later
sailed with Maugham and his lover, on their yacht Clio, to Capri to pay
homage to the venerable
Norman Douglas. The latter made no bones about his sexual ideal: ‘I’ve
always loved a very large possession attached to a very small boy’.
Robin Maugham seemed intent on collecting the older queer cultural
figures. In Tangier on another occasion, he arranged
to meet Gerald Hamilton—Christopher Isherwood’s Mr Norris—in Dean’s
Bar. Now approaching seventy, Hamilton was ‘one of the most
unprepossessing people’ Maugham had ever met—if hardly more so than back
in the Berlin days in the 1930s—but when he spoke he became
the character who had fascinated so many, including the young
Isherwood. Needless to say, his performance began with the customary
claim, ‘I seem to have left my wallet behind at the hotel’.
One
of the nicer ironies of Hamilton’s life is that he sat for the body of
the statue of Sir Winston Churchill in Parliament Square.
Source:
Robin Maugham, Escape from the Shadows (London: Robin Clark, 1981), pp.88, 89, 104, 105, 190; 116, 179-80, 182; 182, 203; 198, 205.
No comments:
Post a Comment